

- GITUP GIT2 VS SJ5000X ELITE 1080P
- GITUP GIT2 VS SJ5000X ELITE MP4
- GITUP GIT2 VS SJ5000X ELITE FULL
- GITUP GIT2 VS SJ5000X ELITE TV
The maximum aperture ( amount of light that the lens lets through depending on its focal length) is usually around f / 2.8 in this type of camera. The sharpness of the lens (quality of the lenses you use). The optical (lens) part is one of the most important aspects of any camera. It is quite useful but involves loss of quality or loss of viewing angle. Another technique is the internal electronic stabilization (e.g., Gyro) that uses cropping of the image as a floating frame to correct camera movements. In-camera optical stabilization is beneficial in correcting shake (jitter) without loss of quality, but very few cameras of this type include it. For video, the ones that work best are those external to the camera (gimbal, Steadicam, etc.). There are several types of stabilization techniques. In general, the higher the bitrate, the better, but keep in mind that there has to be a balance because moving, storing, and processing vast volumes of video information will take more resources and more time, more work. In the video editing phase, sometimes we need to have a lot of information to have room when applying effects, correcting color, etc. What all cameras do is compress and discard redundant or unimportant information to the human eye. A raw video generates an enormous amount of data that could only be managed with highly specialized equipment. This parameter is essential because it gives us an idea of the compression video information undergoes when leaving the camera. Amount of video information generated by the camera. The effect would be slow motion while maintaining adequate movement fluidity. For example, we can record a scene at 60fps and then edit it to reproduce it at 30 or 24fps. However, recording at a high rate of frames per second can then make editing the effect of slow-motion ( slow motion), maintaining a sense of fluidity in the scene. It depends on each person, the type of setting, etc. From about 60fps, it isn’t easy to notice differences in terms of fluidity or sharpness of the scene.

GITUP GIT2 VS SJ5000X ELITE TV
At 50 / 60fps, the scene’s movements look sharper, more realistic, more in the manner of documentaries or TV productions (sports, direct). For example, at 24fps (typical of cinema), a motion blur effect is produced that is usually pleasant to the eye and is identified with the cinematographic style. The higher the number of frames per second, the sharper the objects’ movement in the scene. Frames per second (fps – frames per second).In return: 4K material requires a piece of more powerful editing equipment, more storage (SD cards / hard drives), and in general, editing is more expensive in time.
GITUP GIT2 VS SJ5000X ELITE 1080P
Recording in 4K and then upscaling to 1080p has its advantages: it generally offers a sharper image, it allows applying software stabilization in the editing phase, it allows cropping a scene to enlarge (zoom in editing), etc. Therefore good projects can be done by recording at 1080p.
GITUP GIT2 VS SJ5000X ELITE FULL
Today almost all video material is consumed in Full HD. We must consider if we will need to record in 4Kor if it is enough with Full HD (1080p). 60 sec.Technical specifications to take into account:
GITUP GIT2 VS SJ5000X ELITE MP4
Video Format: H.264 encoder, MP4 video container
